Founded in 2005 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.
We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.
Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.
Keep it real, the FFF team.
If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.
You can also check out our guide to the perfect submission here.
At first I was a bit non-plussed about this site (especially the super lame navigation) but then I had a bit of a browse and became quite enamoured by a few of Gregoire Alexandre‘s photo ideas. Nice work!
sky wide open. lovely and smart mark.
That Lisbon spread is spot on!
Really enjoyed being support of your art Olivier. Robert Bockowski_RoseStudio
Stunning work. Excellent find Emma.
Strong work. Love it.
Some really nice work.
24th Mar 2009
5:59 pm
I think that’s a bit harsh! The photography is really lovely – but he was featured only two weeks ago.
24th Mar 2009
8:45 pm
much better navigation than the ridiculous this is art site. the marvelous work on grégoire’s site speaks for itself, the “real art” site seems to need an obtuse, different-for-the-sake-of-different navigation device to compensate for the moderately interesting work.
19th Oct 2009
3:47 am
I really enjoy this work. It is the breathe between the images I’m really drawn too. Those spaces leaves an anticipation of the next image. I feel though this work might be viewed as commercial you must look at the environment surrounding the subjects to see the artist true intentions.