undesign, Turin was founded in 2003 and specializes in corporate identity. Clean and considered print and ID work from Italy!
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Founded in 2005 by an ever growing group of young designers and vagabonds eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.
Although the site was doing a great job at sparking creativity, we felt it could, and should, be even bigger and better. So we spent many moons working on a brand new FormFiftyFive, still high in eye (and brain) candy, but with a brand new look and lots of new features that dig even deeper into what’s happening in the design community.
We’ve also added more interactive elements on the site so people can exchange and store ideas more easily, encouraging collaboration and making the site more than just another design blog.
So have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.
Keep it real, the FFF team.
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undesign, Turin was founded in 2003 and specializes in corporate identity. Clean and considered print and ID work from Italy!
26th Jan 2010
10:58 am
Shame they use helvetica on every project
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branding?
undesign
26th Jan 2010
1:36 pm
thanks Thom for the criticism, it can be always useful to grow up and to create interesting debates on different point of views.
we believe in the expressive potential of the Helvetica typeface, included in a more complex identity system. Making an example, both AmericanAirlines and American Apparel based their identity on a strict use of helvetica bold, but they still talk to diametrically opposite worlds.
with this, we don\’t want to say that a good identity project could base itself only on this typeface, and we confess you that in the current work we are facing, we\’re making different typographic choices, like gill sans, platin and caslon.
By the way, we believe that using a typeface is not only a matter of chosing a well-known font or the cutting-edge one; in fact, it\’s a matter of finding the right dimension, kerning, interline spacing and so on, in order to let the character itself speak the language you want it to speak.
Brian Copeland
26th Jan 2010
4:20 pm
True, Helvetica is their face of choice, but they still have a very good understanding of grids and branding. The Rent editorial project is a pick for me.
David Boni
26th Jan 2010
11:57 pm
I grabbed the PDF a little while ago—truly sexy work. How you guys get away with using the International Typographic Style for almost everything is pretty cool; where I’m at, it’s a constant battle with clients that want things that “pop” or, in other words, look like a distracting mess.
Nei
27th Jan 2010
1:04 am
Well said, undesign. A lot can be said for sticking to your guns and using a classic set of typefaces. The designer should coax the type into speaking the language they need and not simply rely on trying to find a type that already speaks a certain language or to a certain group of people. Nice work.