FormFiftyFive

Design inspiration from around the world.

What the FFF?

Founded in 2005 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.

We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.

Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.

Keep it real, the FFF team.

The FFF team

Glenn
Glenn Garriock — 1511 posts
http://www.garriock.com
Graphic designer – Uetze, Germany

Jack
Jack Daly — 1178 posts
http://twitter.com/Jack_FFF
Graphic designer & Illustrator – Glasgow,…

Lois
Lois Daly — 45 posts
http://www.twitter.com/the_loi
Lois Daly – Graphic Designer, Glasgow

Alex
Alex Nelson — 76 posts
http://twitter.com/lexnels
Designer/coder – Leeds/London/Melbourne

Guy
Guy Moorhouse — 45 posts
http://futurefabric.co.uk
Independent designer and technologist — London,…

Gil
Gil Cocker — 320 posts
http://www.sansgil.com
Designer & Maker – London, UK

staynice
Barry van Dijck — 125 posts
http://www.staynice.nl
Designer & Illustrator – Breda, The Netherlands

Gui
Gui Seiz — 135 posts
http://www.seiz.co.uk
Graphic Designer – London, UK

Chris J
Chris Jackson — 70 posts
Graphic Designer – Leeds, UK

Tom Vining
Tom Vining — 12 posts
http://moreair.co
Graphic Designer – London, UK

Tommy Borgen
Tommy Borgen — 15 posts
http://www.uppercase.no
Graphic Designer – Oslo, Norway

Clinton Duncan — 24 posts
Creative director – Sydney, Australia

amandajones
Amanda Jones — 25 posts
http://www.amandajanejonesblog.com/
Graphic Designer – Ann Arbor, Michigan

Gabriela
Gabriela Salinas — 16 posts
http://gabrielasalinas.com/
Graphic designer – Monterrey, México.

Felicia Aurora Eriksson
Felicia Aurora Eriksson — 4 posts
http://feliciaaurora.com/
Graphic Designer – Melbourne, Australia

Got something for us?

If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.

You can also check out our guide to the perfect submission here.

submissions@formfiftyfive.com

Looking for something?

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Interviews

Categories rowsEverything Interviews Books Events Jobs

Liam Crean

Liam Crean

Designer & Developer – Derby, UK

http://www.southpolecreative.com


Posts by Liam Crean:

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Jonathan Cherry

Jonathan Cherry has updated his portfolio – an enviable and skilled body of work, notably his earnest portrait studies.

b.1986, Jonathan Cherry is a photographer and keen cyclist. He graduated from University College Falmouth in 2009 with a BA (Hons) in Photography, studying under Steven Tynan and Sian Bonnell.

Since graduating Jonathan founded MULL IT OVER; a series of web based interviews with innovative contemporary photographers from around the world. Over the past 24 months he has shot in Croatia with Bless, India with PAVE, West Wales with Do & Athens with Boat.

He uses a Mamiya 7ii, a Hasselblad 503CXi with Kodak film and a Canon 5D Mk2. Jonathan works between the West Midlands & London, UK. Caen & Paris, France.

Visit: jonathancherry.net



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lg2boutique

I’m quite surprised we haven’t covered lg2boutique before now. This French-Canadian studio based in Quebec and Montreal have a sublime portfolio of work. Their branding and identity projects in particular are incredibly rich, unified and expertly executed.







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Graphic Design: A User’s Manual—Book Review

Of all the design related books on my shelf How to be a Graphic Designer, Without Losing Your Soul is definitely the most thumbed. Its tatty corners and mucky cover hint at its usefulness since I bought it about five years ago. And you I know I’m not alone. So I was pretty excited to receive Graphic Design: A User’s Manual for review. And, in this book, Adrian Shaughnessy does not disappoint, delivering another great addition any designer’s bookshelf.

When the book arrived, I decided that I’d try and use it objectively. After all it is a reference book in every sense of the word. My decision was helped by its size (it’s encyclopedic), and my workload (spiralling), so I didn’t read it cover to cover. Over the past month or so it’s been sat next to my mug, the first point of reference for the times when a question arises that we might usually ask an experienced colleague, friend or a search engine. If it came close to answering the questions of daily design business I’d be very impressed.

It wasn’t love at first sight. I mean I liked the way it was presented, the mono-spaced type, alphabetically organised topics and the super-simple colour-plan, but I was expecting a more diversely populated reference manual—more like a design dictionary. Look up ‘invoices’, get a list of best practices. Look-up ‘bleed’, find some hard and fast rules. Look-up ‘book cover design’, get a winning formula. But this is not a how-to guide as such, nor is it conventional in the way it’s written. However those are the exact reasons why I’m really starting to like it. It’s a conversational directory of experiences, ideas and discussion themes. Instead of telling you what’s best and what isn’t, it draws on the vast and enviable experience of the author to describe those daily situations you find yourself in and offers another point of view. How do I deal with a seemingly balmy client who wants that ‘cute’ photo of his dog in his accountancy brochure? What kind of things should I look out for when I’m choosing graduates for placement? Can designer envy be used in a positive way? It’s a bit like consulting your favourite tutor, a helpful creative director, or the artworker at your preferred printer. It has easily digestible columns of opinion that are equal in their ability to inspire and direct. Every graphic design student will love this book. Aspiring designers will quote it in essays and pitches, older more experienced designers will read it and nod approvingly. Designers from many different disciplines will recommend it to their peers and even the rock-star designers that make the FFF homepage will learn something new.

One of its strengths is the informal way it’s written. The author’s wit is evident when covering a subject that invokes a pet-hate reaction. For the author it’s the pointless addition of extra marks to an ellipsis….. Similarly I hate the common misuse of the exclamation mark!!!! I like a little comic relief and it’s welcome here, poking fun at those who naively abuse the good rules.

Another nice touch is the consistency of footnotes and references. Each topic has a few notes and there’s always a reference for a more in-depth read. So it makes a good stepping-off point. For example, I’ve recently become more interested in book cover design—I’m designing a website for an author—and a reference lead me to the work of Derek Birdsall and his Notes on book Design. In that vein I can see teachers of Graphic Design, getting a little sick of students doing a ‘follow the white rabbit’ number, but that can be no bad thing. It’s a great book to follow.

It may not be exhaustive and there are missing topics, but if the author had tried to comment on everything I wanted to look-up, it’d have been a foot thick. Some of the small things are better left too Google. The rest is covered here.

In short, buy it!

Here’s the official press video by the author Adrian Shaughnessy.

Words: Liam Crean Photography: Malcolm Menzies



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Cardon Copy

CARDON COPY, TAKES THE VERNACULAR OF SELF-DISTRIBUTED FLIERS AND TEAR-OFFS WE HAVE ALL SEEN IN OUR NEIGHBORHOODS.

IT INVOLVES HIJACKING THESE UNCONSIDERED FLIERS AND REDESIGNING THEM, OVER-POWERING THEIR MESSAGE WITH A NEW VISUAL LANGUAGE. I THEN REPLACE THE ORIGINAL WITH THE REDESIGN IN ITS AUTHENTIC ENVIRONMENT.

More here: www.cardoncopy.com

See Cardon Webb’s folio with some lovely type work: www.cardondesign.com





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Read Between The Leading

Aaron Heth and Matt McInerney are two extremely passionate design students at the Savannah College of Art & Design. Because we enjoy design, and talking about design so much, we thought we’d give the audio world a try. There is no schedule right now of how often we do shows, although you should be able to expect one or two a month.

Read Between The Leading—It’s a good listen. Makes a change from reading about design.

Good work chaps.







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Chatter

Beautiful work.

ALEX GREEN on Tom Haugomat

williamcolley – Id take a punt on ITC Clearface

Simon Hodgkinson on Rifle: Makeshift Magazine

Anybody know what typeface they use for “Makeshift”?

williamcolley on Rifle: Makeshift Magazine

Brilliant!!

Lone Bru Kjær on F-Bombs for Feminism

Ordered! Looks beautiful!

Jamie Smith on The Recorder: Issue 1

Can’t wait to get my hands on this first issue of The Recorder by Luke Tonge. Looks amazing. A real keeper and collectable. Be sure to get a copy before first edition runs out.

Marksteen Adamson on The Recorder: Issue 1

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