FormFiftyFive

Design inspiration from around the world.

What the FFF?

Founded in 2005 by an ever growing group of designers, illustrators, coders and makers eager to collect and share the best design work they came across, FormFiftyFive soon became an international showcase of creative work.

We scour the world’s best creative talent to keep FormFiftyFive a foremost collection of current design from both the young upstarts and well known masters. We’re constantly on the look out for new features that dig even deeper into what’s happening in the design community, so get in touch if there’s something you’ld like to see on here.

Have a look round, if you see something you love or hate be sure to comment, and drop us a line if there’s a juicy bit of creative gold you’d like to see on here.

Keep it real, the FFF team.

The FFF team

Jack
Jack Daly — 1119 posts
http://twitter.com/Jack_FFF
Graphic designer & Illustrator – Glasgow,…

Lois
Lois Daly — 45 posts
http://www.twitter.com/the_loi
Lois Daly – Graphic Designer, Glasgow

Alex
Alex Nelson — 41 posts
http://twitter.com/lexnels
Designer/coder – Leeds/London/Melbourne

Gil
Gil Cocker — 308 posts
http://www.sansgil.com
London based designer and maker who…

staynice
Barry van Dijck — 123 posts
http://www.staynice.nl
Designer & Illustrator – Breda, The Netherlands

Gui
Gui Seiz — 131 posts
http://www.seiz.co.uk
Graphic Designer – London, UK

Chris J
Chris Jackson — 66 posts
Graphic Designer – Leeds, UK

Tom Vining
Tom Vining — 12 posts
http://moreair.co
Graphic Designer – London, UK

Tommy Borgen
Tommy Borgen — 14 posts
http://www.uppercase.no
Graphic Designer – Oslo, Norway

Clinton Duncan — 22 posts
Creative director – Sydney, Australia

amandajones
Amanda Jones — 19 posts
http://www.amandajanejonesblog.com/
Graphic Designer – Ann Arbor, Michigan

Felicia Aurora Eriksson
Felicia Aurora Eriksson — 2 posts
http://feliciaaurora.com/
Graphic Designer – Melbourne, Australia

Got something for us?

If there’s a juicy bit of creative gold you’d like to see on FFF, or you’d just like to get in touch, email us on the address below and we’ll get back to you as soon as we can.

You can also check out our guide to the perfect submission here.

submissions@formfiftyfive.com

Looking for something?

Categories rowsEverything Interviews Books Events Jobs

Books

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GraphicDesign&

Page 1: Great Expectations is an unusual typographic experiment orchestrated by GraphicDesign& to explore the relationship between graphic design, typography and the reading of a page.

70 international graphic designers were tasked with laying out the first page of Great Expectations by Charles Dickens, each contribution accompanied by a short rationale explaining the designer’s decision-making process.

Contributors include: Phil BainesTony Chambers / Wallpaper*William Drenttel and Jessica Helfand / WinterhouseExperimental JetsetFraser Muggeridge studioKarlssonWilkerSpin, Robin KinrossEllen LuptonLuke Hayman / PentagramMorag MyerscoughErik SpiekermannSam Winston and many more…



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Sonnenzimmer

Every now and then you discover something that really stands out – the work of Sonnenzimmer really does – the Chicago based studio of Nick Butcher and Nadine Nakanishi merges backgrounds in typography, printmaking, graphic design and fine art to produce beautifully crafted posters, books, and music packaging for a wide array of clients. They also sell prints at very reasonable prices – find it all here: sonnenzimmer.com



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&Smith — Update

Bringing a handful of new projects to their site, &Smith continue their run of strong work, seamlessly mixing quirky fun projects (like the ‘Ink’ book shown here) with well-executed corporate comms (The handsome wee guy above is from the Purina Annual Report). Check them out here.



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Typographic Revolt

In an effort to bring their Exclusive Faces range to a larger audience, HypeForType approached graphic designer Ryan Atkinson to produce their first magazine release Typographic Revolt. The brief was to produce a 16 page A2 magazine with a twist. Instead of following the traditional convention, Ryan designed a quick read through A2 magazine which also doubles up as a set of 4 Exclusive Faces posters. Each page folds out to create a double sided poster perfect for your studio or home wall space. Typographic Revolt is printed as a limited litho run on 90gsm wood free paper, giving everything a premium newspaper feel which absorbs the inks to create a beautiful desaturated look and feel. Typographic Revolt. is available now through Amazon.





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Design Assembly — 3

In October 2011 Design Assembly turned 3. To celebrate this landmark they have retired the website and donated the past 3 years of energy and effort to a far greater cause — fighting cancer!

They’ve produced a book, 3 in fact, archiving the past 3 years of discourse, and showcasing new and exclusive material from leading industry professionals. 100% of the profits from the sale of this publication will be shared between 3 charities with a combined global reach:

Cancer Research UK, United Kingdom LIVESTRONG, North America WCRF International, Rest of world

The book is available from Design Assembly for only £40!

To coincide with the release of the book, the illustrator Paul Davis has produced a unique Limited Edition artwork, Charlie, on the theme of 3 with the cause firmly in mind. Also avaiable from the DA site and again, all proceeds will go to the chosen charities.



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Lilli Carré

Lilli Carré is a Chicago-based artist who works in illustration, animation and comics. I came across her work many years ago after reading her comic book The Lagoon – which I wholeheartedly recommend! I particularly like these book covers she did recently for The Adventures of Huckleberry Finn published by Penguin Classics and Very Good, Jeeves! for W.W. Norton & Co. Be sure to stop be her site to check out her portfolio, and buy some of her fantastic books!  Besides The Lagoon, I would recommend her comic Nine Ways to Disappear.

There is a really great interview with Lille Carré on The Comics Reporter.

» Lilli Carré’s Portfolio



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FUEL — new website

FUEL are possibly best known for their self-published books and magazines which cover a range of topics, from Russian criminals’ tattoos to the design of Sainsbury’s own brand products in the 60′s and 70′s.

They recently launched a new website, which celebrates the work they have created during the last 20 years.



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Robert Hanson: 140 Colour Images

Eight:48 have launched their first book, ‘Robert Samuel Hanson: 140 Colour Images’, a monograph focussing on the work of FFF favourite Robert Samuel Hanson. The book features 140 colour illustrations, organised into groups according to their subject matter. These illustrations are accompanied by an interview with the Rob about his work, life and accomplishments. You can buy a copy over at Counter-print for a very reasonable £27 – £32 (depending on where you live).

We got a hold of Céline Leterme of Leterme Dowling, who designed the book and are behind Eight:48 and Counter-print, to ask her some questions about their first published book.

Hi Céline, can you tell us a little more about how this project come together?

We have been working with Robert on an on-off basis since we started our design company a couple of years ago. (We actually first saw his work on FormFiftyFive, so massive thanks for that). The first project we worked with him on was a poster for one of our businesses, Counter-Print. It’s a cliche, but we were blown away with the result. The attention to detail was incredible, as was his ability to understand what we were looking for.

The project flowed really smoothly, so when we launched Counter-Print’s magazine, Eight:48, the first person we thought of going to for the design of a its cover was Robert. I suppose we cemented our relationship with that project, as there was always a lot of back and forth, including plenty of discussion in regards to how the magazine should look and how the covers would be perceived.

When Jon and I here decided that we wanted to dip a collective toe into publishing, we thought Robert would be a great subject matter to start with. We knew it would be a pleasure to work with him throughout the process, we were aware that he had a large body of quality work that people probably wouldn’t have seen before and asking him seemed like the perfect thank you for all the effort he’d put into our projects over the last couple of years.

Are these monographs a new thing you guys are going to get into on a regular basis?

We would ideally like to do more books and it would be nice to have something we could put out whenever we want, instead of Eight:48 which we seem to always have a deadline approaching for.

Did you approach Robert or did he propose the idea?

We approached Rob, he took some time to think about it. Maybe because we’d never published a book before or maybe just because he had to entrust us with representing what he is about.

After a couple of days he got back to us and said he’d love to be involved and that the trust we had built up with him, having worked on Eight:48 was the reason he would let us design his book. I think/hope our previous collaborations had proven that we wouldn’t produce something that wasn’t apt or an accurate representation of what he does.

In the end, creating a literal representation of what we thought ‘a Robert Hanson book’ would look like was the ‘big idea’ behind the design of the book. That’s why the cover of the book itself looks like a Hanson illustration – an almost icon-like design, which is seen when you pull the dust jacket off. It was also the reason we got Robert to illustrate the bookmark, as if it were also a graphic 2D icon.

Have you got any other artists lined up that you can mention?

No artists lined up for similar monographs yet, but we certainly would be interested in producing other books in the future. I suppose this one is a bit of a test. We like it, and if it amount to nothing else we’ll have a few hundred copies of Robert’s book to our selves. Perhaps we can make a chair out of them or something.

Was any of the work featured produced exclusively for the monograph? Rob worked on the cover, book mark and divider pages in order to get the concept of the book across, the rest is all existing portfolio material. —

Make sure you check out Counter-print for more images and information.



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Nobrow 6

Nobrow 6 was released this week with bulging 128 page double flip-cover issue! With over 60 pages of Comics from the leading talents around the globe, as well as 60 pages of fantastic illustration!

To honour our Double issue, which will set the precedent for future issues of Nobrow, over 60 artists have contributed work to the theme of Doubles or Doppelgänger. The two covers were created by Gwenola Carrere and Tom Gauld.

Check out the rest of the artists involved and buy yourself a copy!



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Low Carbon D&AD Annual

The new low carbon D&AD Annual Looks like the first I would actually like to take a real good look at. Refreshing to see that it has not become a self indulgent plaything for the designer. D&AD Annuals should be about celebrating and showcasing the best of design and advertising. In my opinion the annual itself should merely facilitate the showcase of this work in a clean, organised, structured way rather than trying to grab all the attention itself. Harry Pearce and the team at Pentagram involved  look to have done an excellent job in both the lean design and choice of sustainable materials to create what they suggest is the most carbon friendly annual to date. See more images of the process and a video on the cover shot at the Pentagram post.





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Disney Brand Book

One of the guys in the office spotted this brand book from Disney. I think it’s really interesting, if a bit weird/sexist in places. Has the good old brand book changed that much since the 40′s? You decide. Thanks to Matt K for the heads up.



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Thanks guys very kind.

Greig Anderson on Freytag Anderson

[...] 3 Deep Update [...]

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Well done fellas! The new site is looking sharp.

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sky wide open. lovely and smart mark.

candace on Oak

That Lisbon spread is spot on!

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Really enjoyed being support of your art Olivier. Robert Bockowski_RoseStudio

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